Showing posts tagged congo

Gender Against Men

Gender Against Men exposes the hidden world of sexual and gender-based violence against men in the conflicts of the Great Lakes Region. The film demonstrates how male identities are under attack and how rape when used as a weapon of war affects husbands, fathers, brothers and the community.

The film is a production of the Refugee Law Project, Faculty of Law, Makerere University. Winner of best documentary, Kenya International Film Festival 2009.

(Source: forcedmigration.org)

doctorswithoutborders:

DRC: Civilians and Aid Workers Victims of Renewed Fighting in the Kivus

Civilians and aid workers are increasingly the targets of violence in eastern Democratic Republic of Congo (DRC), where armed conflicts and large troop movements have recently intensified, and where security risks have made it increasingly difficult to continue to provide medical care, said the international medical humanitarian organization MSF on Wednesday.

National and international stabilization forces in DRC have never been more important, but MSF questions their effectiveness given the worsening situation.

“The situation is not stabilizing in Kivu,” said MSF program manager Dr. Marcela Allheimen. “It is deteriorating again, and has been deteriorating over the last several months. We are noticing renewed violence, but what is most alarming is the commonplace nature of violence on civilian populations and aid actors.”

Read the whole MSF press release.

Photo: DRC 2011 © Ben Milpas
Children at the Mweso hospital, where MSF is continuing to work despite the threat of continuing violence

(Reblogged from doctorswithoutborders)

doctorswithoutborders:

Two MSF Staff Members Kidnapped Then Released in DRC

On the morning of Wednesday, April 4, two MSF staff members—Cedric, a nurse, and Marius, a logistician—were kidnapped near Nyanzale in the North Kivu Province of the Democratic Republic of Congo while traveling by car.

Hours later, they were released unharmed.

Given the seriousness of this incident, MSF evacuated its teams working in the Nyanzale hospital and in two health centers in the area.

MSF is therefore suspending some of its activities in North Kivu pending a full review of MSF’s work and practices in light of the deteriorating security situation in the province, which is having a profound impact on the population and on the ability of relief organizations to deliver humanitarian assistance.  

Photo:DRC © MSF
Rutshuru general hospital in North Kivu

(Reblogged from doctorswithoutborders)

futurejournalismproject:

Infra Congo

The Democratic Republic of Congo is a perennial occupant on the list of the world’s most unfortunate places. Over the past 15 years, 40 armed groups have waged rebellions, counter-rebellions and outside incursions to control either the country or a desired part of it.

The result: over 300,000 killed, another 5 million deaths due to disease and starvation, hundreds of thousands of rapes, countless mutilations.

Last summer, Richard Mosse began exhibiting and publishing his photos from Eastern Congo in a series of work he calls Infra.

The name comes from the Aerochrome film Kodak created in 1942 that Mosse used to shoot his subjects.

Via No Caption Needed:

Aerochrome is a false-color reversal film designed, according to Kodak, “for various aerial photographic applications, such as vegetation and forestry surveys … monitoring where infrared discriminations may yield practical results.” More to the point, it was intended for military purposes and in particular camouflage detection as it rendered the reflections of infrared and green typical of healthy foliage in strong red tones, making it stand out against the façade of dead and dying leaves—often seen in diluted magenta tones—used to conceal the enemy. In short, its purpose was to make the invisible visible.

The result of Mosse’s use of Aerochrome are the highly saturated images seen here. In a review of his work, the Guardian suggests the striking visuals deconstruct cliched war porn and make us reconsider what is actually happening: 

But where this technology was invented to detect enemy positions in the underbrush, Mosse uses [Aerochrome film] to make us call into question pictures we thought we understood. These are the images we take for granted from Congo: the ruthless militia commander, the rape victim, an unwitting peasant. But in Mosse’s pictures, Congo’s photographic clichés are represented in a counterpoint of electric pink, teal blue and lavender. By representing the conflict with an invisible spectrum of infrared light, he pushes us to see this tragedy in new ways.

Mosse described his work in an interview with Aperture last summer. In it he discusses the history of representing warfare and trying to capture what is “real”.

Photographic realism has become so inscribed upon twentieth-century depictions of war that we often forget that there were other forms before it: the panorama, the history painting, even 3-D spectroscopic views of the battlefield. In the past, this is how the public understood their wars—as distant sweeping landscapes of enormous scale and detail. I feel that early war photographers like Mathew Brady and Roger Fenton were influenced by these precedents. But they were soon forgotten with small-format technologies, and with changes in the way that wars were fought during the twentieth century. Warfare is constantly evolving; it has recently become abstracted, asymmetric, simulated. We are so removed from the experience of war in the West that I feel the genre may shift once more. The realist forms that were so powerful throughout the twentieth century may now be obsolescent.

In my practice, I struggle with the challenge of representing abstract or contingent phenomena. The camera’s dumb optic is intensely literal, yet the world is far from being simple or transparent. Air disasters, terrorism, the simulated nature of modern warfare, the cultural interface between an occupying force and its enemy, the martyr drive in Islamic extremism, the intangibility of Eastern Congo’s conflict—these are all subjects that are very difficult to express with traditional documentary realism; they are difficult to perceive in their own right. Very often I am fighting simply to represent the subject, just to find a way to put it before the lens, or make it visible by its very absence. This process is inherently “Romantic” because it often requires a retreat into my own imagination, into my own symbolic order.

But the real is central to my interests, as it’s something that eludes conventional genres, particularly Realism. The real is at the heart of contemporary global anxiety; proximity to the real is endured by us all. But I feel that the real is only effectively communicated through shocks to the imagination, precipitated by the Sublime. That may seem like an archaic term, but what I’m referring to here is contemporary art’s unique ability to make visible what cannot be perceived, breaching the limits of representation.

Visit Mosse’s Web site for more images from this series. The Aperture interview along with other coverage of his work can be read here.

(Reblogged from futurejournalismproject)

doctorswithoutborders:

DRC: “I Got on the Motorbike With the Midwife”

Doctors Without Borders makes it a priority to provide life-saving, emergency obstetric care in both acute and chronic humanitarian crises. Fifteen percent of all pregnancies worldwide will experience a life-threatening complication. The most critical moment is delivery: the majority of maternal deaths occur just before, during, or just after delivery, often from complications that cannot be predicted. It is at this point that the provision of quality obstetric care is vital to save women’s lives. The majority of maternal deaths are avoidable when access to emergency obstetric care is ensured.

View MSF’s International Women’s Day video on Haiti.

View the International Women’s Day video on South Sudan.

View MSF’s International Women’s Day video on Pakistan.

(Reblogged from doctorswithoutborders)

Just a little light reading for all my spare time I seem to have.

(This is what I get for planning an abstract philosophical analysis of the violence in the Democratic Republic of Congo for one of my classes. #$%&!!!)

doctorswithoutborders:

People are waiting for us! “We are on our way in the direction of Musonjo, a long line of porters moving slowly through a palette of different greens in an almost snakelike motion. Every small but determined step reduces the distance to our goal for the day; a thought that always makes me smile…  Time to get moving again. Rain… What is rain other than falling drops of water, touching our bodies and soaking our clothes? A human body consists of a minimum of 70% water, so what are a couple of drops more? Just keep on moving. People are waiting for us!”Check out Ferry Schippers’ blog from the Democratic Republic of Congo. Photo: © MSF Ferry Schippers

doctorswithoutborders:

People are waiting for us!

“We are on our way in the direction of Musonjo, a long line of porters moving slowly through a palette of different greens in an almost snakelike motion. Every small but determined step reduces the distance to our goal for the day; a thought that always makes me smile… Time to get moving again. Rain… What is rain other than falling drops of water, touching our bodies and soaking our clothes? A human body consists of a minimum of 70% water, so what are a couple of drops more? Just keep on moving. People are waiting for us!”

Check out Ferry Schippers’ blog from the Democratic Republic of Congo.

Photo: © MSF Ferry Schippers

(Reblogged from doctorswithoutborders)

doctorswithoutborders:

DRC: “At Night, the Stories … Come Back to Haunt Me”

Baraka, South Kivu, Democratic Republic of Congo (DRC)—“I [MSF nurse Alice Echumbe] am the supervisor of the Jamaa Letu center, which in Swahili means “Our family.” MSF opened this center in May 2011 to offer additional community services, especially to pregnant women who need to be close to the hospital just before birth to avoid a long travel from their villages.

The center also welcomes patients who want a more private and confidential setting for their consultations in family planning, voluntary HIV/AIDS testing (especially for pregnant women), treatment of sexually transmitted diseases, and treatment for survivors of sexual violence. These survivors are not only women but [also] men and even children, some of them less than five years old.

I am a nurse by training and have worked for MSF since 2009, previously at MSF’s Baraka Hospital. I have done outreach work with mobile health teams, traveling to remote villages to raise awareness about health issues such as cholera, malnutrition, and TB.

What our teams notice in the villages is that people often go to traditional healers when they are sick—for example if a child has malaria, one of the most common illnesses. But traditional medicine can sometimes lead to serious complications and can put patients at risk of dying, especially if they cannot get to a hospital in time. So we explain to the community and to traditional healers to recognize when it is necessary to seek help and send their patients to a health center.

We also try to convince pregnant women to go to the rural health center or a hospital to give birth because those places have a skilled birth attendant, equipment, and drugs.

Photo: DRC 2011 © Claudia Blume/MSF

(Reblogged from doctorswithoutborders)
(Reblogged from mohandasgandhi)